Whilst Vended, Graphic Nature and Lake Malice all sound very different, they share two very important pieces of DNA. Firstly, they are building their fanbases online utilising direct social media interaction as opposed to stagnant record label endorsed marketing technics. That true kinship and ownership comes across loud and clear tonight and the power dynamic between artist and fan seems to exist on a much more unified plane. The other unifying factor is the diversity and variance of their musical reference points.
Read MoreOpeners Kaine play basic metal. They're very Iron Maiden, the music is fast and furious and the band seem very angry about something. I'm trying to work out what they're singing about and it’s hard to decipher. It might be Bastille, it might be something made of steel. Either way they seem a bit pissed off about it! There’s a song called ‘Slave To The Grind’ but it's not that one, it's a double paced headbanger with a slow guitar bridge. Widdly instrumentals abound and there’s a huge amount of echo on the singer's voice.
Read MoreDespite being informed that the band would be onstage at 7.00 pm, I can see the queue is going around the corner as I approach. So, of course, I go for a beer across the road until I see no one outside the venue and then make my way in. Unsurprisingly it's packed as I enter, but us ROCKFLESH folks are a determined bunch and I squeeze through and up to the bar and merch. We've talked about merch prices a lot as a website, and £30 a tee tonight is very decent, but £70 for a fairly simple and plain orange rucksack is... interesting. In any case, there aren't any support bands tonight, so the sold-out venue is solely for Japanese rock band Man With A Mission (MWAM).
Read MoreSynthwave seems to be slowly embedding itself into the world of Rock & Metal these past few years. A relatively new genre of music that draws influence from both the music & neon lit cyberpunk-esque iconography of Sci-Fi and Horror Films of the 1980’s, it has been brought to the forefront of public consciousness by acclaimed acts such as Perturbator and Carpenter Brut.
Read MoreWhen you're a band from Mongolia playing traditional Mongolian instruments, doing traditional Mongolian throat warbling and weaving that into a metal-based rock show it must be kind of hard to pick a suitable support act. Tonight we are presented with Tau & The Drones Of Praise, (or, according to my notes before I managed to find them on the poster Tower and the Drums of Penis) a slightly frayed-at-the-edges bunch of Irish folk musicians who incorporate a touch of rock, a bit of rave and a lot of harmony into their sound.
Read MoreFirst up, we’ve got Defying Decay taking to the stage right after the doors swing open. The crowd's expectedly small at first, but begins to swell as they run through their energetic set. These guys bring the essence of bands like Wage War, Bad Omens and, tonight’s headliners, Ice Nine Kills. In fact, think Spineshank and early Slipknot, that late 90s nu-metal vibe coming across in abundance. But it's Crossfaith that echoes in my mind, only a more organic version. These Thai rockers from Bangkok have that same unashamed glee and energy in their performance, together with the variety of sounds delivered by their Japanese counterparts.
Read MoreOnce again we are dragging the impartiality klaxon out of its cupboard, as the fact that I am subjecting myself to the delights of the 2:45am coach back to Manchester probably says everything you need to know about my dedication to the church of Carcass. For a diehard Carcass fanboy like myself, their majestic return to their hometown 29 years after their last show here is a must-see. Even if the collective might of the rail unions had tried to scupper the whole shebang. You see Jeff, Bill and the boys are the most influential band to ever come out of Merseyside (yes I know that's a controversial view but it's true) and I'm sure I was not the only one to be disappointed that during the segment in last month’s Eurovision Final where past winners reinterpreted Liverpudlian classics, they hadn't roped in Lordi to serenade us with a version of ‘Exhume to Consume’.
Read MoreSweet Electric are the new outfit from Massive frontman Brad Marr having only been together for six months or so, and as the lights go down and the floor toms kick in, the band hit the stage in a Technicolor explosion, it’s fascinating to see the direction that Brad has taken his new musical endeavour. There’s a distinctly 70s glam vibe about Sweet Electric, with glitter, zebra print and lycra in abundance. No longer fettered by the guitar duties he undertook as part of Massive, Brad is having the time of his life, careering from one side of the stage to the other with a wild abandon. Resplendent in gold lycra and declaring “I feel as good as I look!”
Read MoreI'm going to give up trying to second-guess the musical whims of Manchester's metal hordes. I thought tonight would be heaving. I thought I would have to fight through battalions of metal warriors to get a decent shot at the front of the stage. You see in my head Distant are not just a buzz band, they got a bloody great air raid siren going off. They gave Lorna Shore a run for their money when they supported them last year and the new album is quite simply the last word in minimalistic brutality. I really thought everybody else had also got the memo that these are the new messiahs.
Read MoreThings tonight are not what they seem. A.A. Williams is deconstructed metal. All the pieces are there, just not in the configuration we expect. Support Zetra look like Mayhem if they went a little crazy in the B&Q chains and locks aisle, however they sound like the Human League. They seem to have escaped from the faux eighties. That non-existence facade of a decade that only actually exists in the fevered creative mind of showrunners. If Dustin and Suzie had formed a band in Stranger Things, it would have looked and sounded like Zetra. Its all very discombobulating.
Read MoreYou could think of far worse ways to spend a beautiful sunny day in Manchester on a Sunday evening. It wasn't just the heat outside that needed turning down, the heat is turned up to boiling point inside the Academy 2 with blistering performances all-round from perhaps some of the most underrated AOR and melodic bands still performing and going strong some 30 plus years after their inceptions. It’s certainly a mouth-watering affair and one that goes down better than the obligatory pint of overpriced lager from the bar. If value for money is your thing, then you’ve certainly got that in spade loads on the music on offer tonight.
Read MoreIt’s an unseasonably warm evening in Blackpool and if it’s hot outside, the temperature inside the Waterloo Music Bar, is through the roof, both literally and metaphorically.
An air raid siren intro announces the arrival of local heroes A’Priori to the stage, the first of the three bands that make up tonight’s bill. Boasting a somewhat unusual line-up configuration of guitar/vocals, drums and keyboard but no bass guitar, A’Priori ‘s sound is equal parts familiar and unusual all at the same time.
Read MoreI'll be honest with you, I really don't understand at all why someone would pay an inordinate amount of money to watch one guy (who may or may not be ginger) strum a guitar for a couple of hours. I crave narrative and theatrics in my performances. I want the show I am watching to take me out of the norm and introduce me to strange new worlds. I want immersive theatre rather than drab reality. It is obvious that the members of Ward XVI share that innate need for visual escapism, as they provide a half-hour performance driven by a strong story arc and packed full of more props than the England rugby team.
Read MoreWinger hit the stage with a blast from the past, reminding us why they were such a force during the glam-metal era. Bringing together all their original members in a rare display of harmony and unity, it's refreshing to witness a band reuniting without any lingering bitterness. It's also a rare treat to have 80's rock royalty grace the stage in Manchester, certainly as a support act, and as they move through their set they prove they've still got it.
Read MoreJohan Lenox is not something that we at Rockflesh Towers would cover all too often. Despite this, his mixture of lo-fi hip hop with a unique classical arrangement is something that appeals to me as a listener and therefore when I saw he was supporting Polyphia, I gave him a listen and was immediately intrigued. His skills as a producer are unmatched, with a resume that includes working for Kanye West, Travis Scott and Brockhampton. These influences are all over his work, with trap influenced, bass heavy drums, immaculately complimented by his unique MO of classical influence.
Read MoreTonight is the first gig for Johann and I in Manchester’s New Century Hall. The first thing we notice is the slick and swanky feel to the whole place – it’s like it’s fresh out of the showroom and we’re taking it for its first spin! The bars are easy to get to, with a good selection, and the whole atmosphere is professional yet welcoming. The gig room itself is wide and accommodating, and the stage a very decent height (so a good venue for all gig-goers I’d suggest).
Read MoreA regular topic for my musical musing is the rich vein of variation and diversity that you can find in modern metal. Tonight’s double-header at Rebellion is case in point. Both MØL and Countless Skies exist fervently within our world, but neither are what we would describe as traditionally metal. Countless Skies version of melodic death is a distinctly luxurious and sumptuous one. It's very much the difference between drinking own-brand instant and gorging on a pot of freshly ground small-batch roasted designer coffee. They have taken a template used and abused by many and added a level of luscious decadence.
Read MoreIt’s a unique occasion heading into Manchester tonight with my brother, given that he moved to Australia 15 years ago… but he introduced me to our headliners Pop Evil about 3 years ago and making the most of our time together is what memories are made of.
We arrive just before four-piece Call Me Amour take to the stage. The venue is already packed and having been asked to arrive on time to catch this band I am intrigued to see and hear what they are all about. Their website describes them as “mixing dark electronica and sonic guitars” and the energy on stage is infectious; they have the audience engaged from the get-go.
Read MoreFirst up are hardcore metallers Dying Wish, and I must say, it's not quite hitting the mark for me. What disappoints me the most is the lack of interesting songs and structure. Dying Wish's set feels like one continuous blur, with tracks blending together in a repetitive manner. There are no standout moments or memorable hooks that grab my attention or make me want to get lost in the music.
Read MoreThe blues are the foundation on which all modern music is built. If you slice hard enough into any current genre, be it black metal or be it trap hop you will eventually find the blues. It is a quintessential cornerstone of everything we consider to be rock, pop, dance or metal. Sometimes it's a hidden, almost silent ingredient, but in others, it is worn very much on the sleeve. Tonight, is a case of the latter as this is a trilogy of young (-ish) bands delving into the past and creating authentic retro-blues rock that sounds like it has been plucked from an episode of old Grey Whistle test circa 1971.
Read More