There is a fallacy that metal is a consistent whole. It is not. It is a vast tower of Babel of interlinking sub-genres. One of the most idiosyncratic of these many differing components is folk metal. It is born from a desire by, mainly, Scandinavians to combine the forbidden fruits of metal with the traditional folk music of their ancestry. It itself has grown into its own complex catacomb of ...
Read MoreTonight is a farewell to Resolve. Well, to some of Resolve. Ok, to some of the songs of Resolve. It’s the end of the cycle for ‘Human’ and with it they are looking to shelve the majority of the songs from both that album and ‘Between Me And The Machine’. In the future it will be the new album and sound that they’ve showcased in the three new tracks on ‘Extended Cut: Human’. But before all that ...
Read MoreThere’s an anticipation for tonight’s hardcore gig showcasing four very hungry bands. There’s London’s bleeding‑heart hardcore, New Zealand’s beatdown exports, Britain’s thrash‑soaked troublemakers, and Alabama’s genre‑smashing heavyweights all crammed into one room. It’s a conflation of sub-styles and attitudes, and the crowd filtering in seems fully aware they’re about to be thrown around by ...
Read MoreIf you can find the right match-up, a co-headlining tour is veritable box office gold. Whilst increasingly big draws in this country, neither Epica nor Amaranthe are on their own ready to headline the cavernous confines of the Manchester Apollo. Yet here we are with the sold-out sign firmly in place and a venue that is packed from top to bottom.
Read MoreRock 'n' roll is founded on controversy. From Elvis swinging his hips in a sexualised manner, through the Beatles declaring themselves to be bigger than Jesus, the Sex Pistols dropping the F-bomb on prime-time telly and onto Ozzy urinating on the Alamo while wearing one of Sharon's dresses. One of its fundamental tenets is to cause the generation before it to look at their children and say, “don’t grow up like that”. The latest in a long line of controversial acts to shake the moral fibre of the nation are Russian/British deathcore agitators Slaughter to Prevail.
Read MoreWe are now into the second week of 2026 and we are very much back to business as usual. We start the year in many ways as we ended it with an extremely tasty quadruple bill that illustrates the array of different flavours and textures currently available within extreme music. All four bands represented here this evening in some way galvanise around what we know as death metal, but all four bands come to this musical mecca from incredibly different directions. It is like watching four distinctly diverse interpretations of the same play. There is a shared DNA, but the shells it is housed within are remarkably different.
Read MoreClutch have happily given us a Christmas treat, delivering their bluesy heavy-rock metal to a packed Manchester Academy. They always serve up a fantastic live show with their unique and infectious performance and endless catalogue of songs. Tonight they’ve also brought the brilliant Greek rockers 1000mods and unhinged Norwegian stoner-punks Bokassa along for the ride!
Read MoreThere is a divine beauty in darkness. In the shrouded bleakness, if you look hard enough, you will always find hope, redemption, and immaculate splendour. For respectively thirty-four and twenty-five years, Saturnus and Swallow The Sun have been mining the melancholic gloom for the glimmers of positivity. They both operate in a corner of the doom metal universe that is melodic and tinged with sadness as opposed to sadism. It is doom metal in the fact that it is slow and pendulous in its delivery, but it has an emotive and poignant core, focusing on affairs of the heart instead of the more fanciful and fantastic.
Read MoreThere’s something intriguing and exciting about a lineup that covers all the stages of the journey of a band. Openers Gore. are at the start of their journey, complete with enthusiasm, vigour and wide-eyed energy. Main support Ghøstkid are looking to push on, building to the next level from their strong foundations. And then headliners Of Mice & Men are maintaining their grip on success and establishing their legacy.
Read MoreHow do you get more intimate than the sweat box that is The Deaf Institute upstairs room? The answer is plain and simple, you can move the whole shebang downstairs into the main pub. This evening's event has the feel of having a band play your Nan’s front room. It's claustrophobic, in places it is shambolic, and you're not going to find any self-respecting cat getting itself swung round this place. But it embodies the true spirit of rock n‘ roll. You can take your arenas, you can take your Apollo's and you can shove your Academies up whatever orifice you fancy; this is where our music thrives, this is its foundry and this is its source.
Read MoreThree bands, three different shades of extremity, one unforgettable night. From Worn Out’s hardcore ferocity to Pupil Slicer’s avant-garde chaos and LLNN’s sludgy soundscape nightmares. Three radically different approaches to metal and a Thursday night Rebellion crowd ready to lap it up or let it obliterate them trying.
Read MoreIf you strip metal back to its molten core, you will find Conan. They synthesise the base element of ungodly weight that makes metal, metal and celebrate the simplistic beauty of that gnarly heaviness. There is something ritualistic and primal about their approach; by removing all the elements that have aided metal's evolution, they reboot everything to a point where it is all about the heaviness.
Read MoreThere is prestige in becoming an arena-level act. It signifies a shift from making it to having made it, a sense of sustainability. It is a badge of honour to be able to fill cavernous rooms, a status symbol. It is a state of affairs that many bands aspire to, but few actually achieve. Halestorm are one of a number of acts attempting to make that jump from theatres to enormodomes. In many ways they achieve the feat unscathed and with their integrity intact.
Read MoreSvalbard may well cover unsettling subject matters, but they always had an element of joy about them. The music they choose to accompany their treaties on depression and isolation has consistently had a euphoric element to it. It uplifts as opposed to grinding down the listener. Whilst Serena Cherry cheekily welcomes us to their funeral, tonight's final performance in Manchester before they call it a day, has an air of celebration as opposed to commiseration. Serena herself is positively bouncy and comes across as being in a particularly healthy state of mind. It is obvious they are very proud of everything the band has achieved, but that they are also very aware of when to step away. As Serena declares midway through the show, “We are ending like we started, with passion in our hearts and no money in our bank accounts”.
Read MoreTonight’s lineup is a dive straight into the early Noughties metal scene and tonight we travel back to that era with three big hitters of that time taking to the stage in Manchester. Drowning Pool, Spineshank and (hed)pe were some of the names you’d see on all the tours, festivals and MTV. As it turns out this isn’t just a nostalgia trip - it’s a reminder of how bands evolve, survive, and sometimes…don’t quite reached the heights they once did.
Read MoreLike a pumpkin left on the porch, Wednesday 13 is here to provide Halloween vibes after the big day has come and gone. Now whilst Wednesday 13 may have long ago decided the UK is a lucrative market for shock horror rock 'n' roll antics, this is his third tour of this isle in twelve months and there is a distinct whiff of diminishing returns. The 1,500 capacity Ritz has shifted 350 tickets, and ...
Read MoreTonight, the O2 Ritz is treated to a perfect storm of avant-garde chaos, technical excess, and cinematic madness. The lineup is a journey through the outer limits of metal, with Imperial Triumphant summoning the spirits, Master Boot Record overloading the circuits, and Igorrr stealing the show with a performance that’s as unhinged as it is unforgettable. Three wildly different acts take the stage, each pushing the boundaries of what metal can be and what it can sound like.
Read MoreWhat to do on a boring Tuesday night? Go to a secret gig you say? By a seminal, genre-defining band? At the Star & Garter? Well how could anyone pass up such an offer! And so we find ourselves queuing up to grab a can from the bar and go up that narrow staircase to a venue that holds around 200 people. To see the mighty Hatebreed. Oh yes, the kind of thing you dream of experiencing and we’re there for it!
Read MoreTonight, Manchester is metal city, but there is a distinct air of age demarcation going on. If you are under 35 then you are off to Co-op Live to witness Architects' ascension to greatness in Europe’s biggest arena. However, those of the disposition of being over 35 you are heading to the Academy for a stunningly retro celebration of a musical art form that is now well into its fifties. This iteration of Thrash of The Titans brings together all the distinct flavours of the flash in the pan movement that steadfastly refuses to die. We have new blood from South America in the shame of Nervosa, teutonic terror from Destruction, old school thrash/death hybrid from Obituary and a headline stint from a band that should be king, the almighty and still thoroughly underrated Testament.
Read MoreIt is now de rigueur to describe the early 90s UK metal scene as a bit of a desolate wasteland laid bare by the cataclysmic influence of grunge and American alt-rock. Whilst Seattle’s influence was far-reaching, in West Yorkshire, something quite incredible was forming. Whilst Paradise Lost and My Dying Bride (and Anathema over on Merseyside) were aware of each other, their brands of Gothic metal developed independently of each other. More a collection of bands with shared influences than a scene, it still proved that not every new act wanted to sound like they came from over the pond.
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