In this austere times, we are all looking for value for money in our gigging experience. This would explain the rise in popularity of the package tour as the allure of four bands we have heard of is more of a financial incentive than one. Swedish Goth-metal pioneers Tribulation, have gone for a different approach. For their rather extensive jaunt around Europe and the UK they have bought only one support act with them and in the shape of French/Polish/Swedish hybrids Livgone, it is not particularly a household name. Where they are providing bang for our bucks, is in the length of the set. At a meaty one hour forty minutes hour it towers above the usual hour maximum fair that we are served by bands of our ilk in venues such as Rebellion. It is a luxuriously elongated tour de force, allowing them to effortlessly wander across most of their recorded output (only 2009 debut “the Horror” doesn’t get a look in).
Read MoreWhy do we do this? Its Valentine's night and we have left perpetually patient partners back at home to stand in the blistering cold of the upstairs room of a shitty pub (the owner's description, not ours). The reason is that we love this music, eternally, triumphantly and truly. The bands on show this evening love this music, it flows through their veins. The audience that has braved the hostility of a Mancunian winter to get here, love this music. Even the characteristically grumpy owner pumping out classic punk downstairs loves this music. It has enslaved us all and it demands both sacrifice and complete obedience.
Read MoreThe O2 Ritz is rammed tonight to witness a solo outing from guitar superstar Mark Tremonti. Known as a founding member and songwriter of both Creed and Alter Bridge he also has a parallel solo career that spans some 14 years and six albums. So the question on everyone’s lips tonight isn’t “is he any good?” – that’s kind of a given. It’s more along the lines of “just how good is he?”
Read MoreUp until now, those who have been ordained to persevere in preserving Queensrÿche’s legacy have opted to avoid the trappings of retrospection. They have left this to their erstwhile frontman and one-person publicity magnet Geoff Tate, who has mined the nostalgia gravy train for all it is worth. Instead of looking back, the post-Tate incarnation of the band (now fronted by the equally golden larynx Todd La Torre) have chosen to surge forward with a flurry of decent releases, culminating in 2023’s rather spiffing “Digital Noise Alliance”.
Read MoreVower are almost what you’d call a supergroup of sorts forged from the ashes of acclaimed underground bands Toska, Black Peaks, and Palm Reader. When we saw them perform at RADAR Festival last year quality on display was immediately evident to see, and true to form their live performance then was a masterclass in sonic precision and commanding stage presence. It was exactly the kind of seamless execution you’d anticipate from musicians of their collective calibre.
Read MoreYou can probably tell just from the band names what kind of music we are in for tonight. Gloryhammer came to be back in 2010 as the side project of Alestorm singer and keyboardist Chris Bowes, and since then, they have released a slew of vaguely related concept albums in which various band members assume characters in the ongoing story. Despite some social media controversy following the departure of their original singer, they have weathered the storms that surrounded them and come through more or less unscathed to provide us with entertainment tonight.
Read MoreThe steady rise for Denmark’s tech-pop-metal maestros Siamese has been followed from the start by a couple of us at Rockflesh, and to see them finally explode to the heights of headlining with a stellar catalogue of tunes to choose from is a proud treat. Support bands Cold Culture and Chaosbay fit well on the bill with Siamese, sharing a similarly polished and modern approach to metal. The night is a testament to the ever-evolving landscape of metal, with Siamese standing firmly at the helm.
Read MoreAbsence may well make the heart grow fonder but so seemingly does constant interaction. Neither Cattle Decapitation nor Shadows of Intent are strangers to this country and even to this fayre city. It is the formers third visit in as many years, whilst the latter last graced us with their presence twenty-four months ago to almost the day. With neither being a scarcity in the touring market, it is impressive they have managed to pull a capacity crowd into a venue that signals an ambitious jump in size for both of them. This is Death Metal graduating out of the underground and into grown-up venues. New Century Hall may feel a world away from the grubby subterranean delights of say Rebellion, but it offers all four acts the opportunity to do their thing on a gargantuan stage, a challenge they all accept with vim and vigour.
Read MoreAs we step into the gloomy confines of Manchester’s Club Academy the doorman welcomes us to his time machine and invites us to step into the latterdays of the eighties when hair was big, choruses expansive and egos overflatted.
Read MoreYou can tell the quality of something by how it ends. Usually shows grind to a halt in the same anodyne fashion. There are the habitual thank you’s, the obligatory picture for Facebook and then the un-ceremonial shuffle off stage to finish off the rider. Not tonight. Tonight is both extraordinary and quintessentially spontaneous. The Halo Effect’s final track of the evening, ‘Shadowmind’, shudders to a halt and something really quite special unfurls. For a good five minutes the band stay on the stage, faces plastered with gleeful emotion venerating the audience as much as the audience is venerating them.
Read MoreMetal, the music that we love, comes in many forms. Some of them link seamlessly together, others tend to stand alone in powerful glory. One of the weirdest subgenres is probably folk metal, which itself varies wildly in content as “folk” has a different meaning in different countries of the world. Tonight, Paganfest in Manchester brings together an unforgettable night of music and unbridled energy performed by an eclectic mix of folk metal bands and enthusiasts from all corners of the world, creating a vibrant atmosphere that resonates through every chord and drumbeat.
Read MoreSometimes the bit before Christmas is actually better than Christmas itself, and when a gig showcasing three of the UK’s best genre-blending metal bands is offered up the weekend before the big day you can’t help but think you’ve been given your presents early. Rapidly rising nu-metal modern metal deathcore champions Graphic Nature have brought to Manchester the superb crossover melodic thrash of Grove Street and the triumphant return of the angular hardcore rock metal giants Feed The Rhino.
Read MoreEvery band reaches a tipping point, where their rapid ascendancy slows, and they enter that “selective appeal" phase. It is the law of diminishing returns, the moment where the number of fans losing interest due to age, indifference and evolution of musical tastes outweigh the accumulation of new devotees. It is the point where stadium-sized bands recede to arenas, where those bothering Apollo's shift to Academies and festival headliners become special guests or even worse inhabit the dreaded "Legends" slot, an abomination designed to preserve the egos of artists yet to fully comprehend their decline. What is astonishing about Slipknot is that 25 years in they are still accelerating. They have a momentum that continues to gather both pace and followers to this very day. For some inexplicable reason, this group of mask-wearing grandad's well into their fifties are still able to speak to the freaks, geeks and disenfranchised of the generations below them.
Read MoreThe golden rule of music journalism is to remember that no matter who the act is and no matter how lowly the circumstances that you are covering them in, for someone somewhere they are their favourite band ever. Evergrey svengali Tom Englund is the first to admit that tonight’s showing is rather disappointing. “Next time we come you bring your wives, your girlfriends, your boyfriends, your drug dealers, your lawyers, bring anyone” he deadpans during the set. However, despite the attendance being at a level where everybody needs to keep their coats on (including a fellow with a remarkably multicoloured jacket that captures Tom's eyes), the atmosphere is exceptionally buoyant and scintillatingly succulent. This is because for those who have made it out to central Manchester on a cold Monday night, Evergrey are either their favourite band or at the very least making great swipes at holding that accolade.
Read MoreAnd here we are, yet another intriguing package tour bringing together three bands that exist within this genre but are doing decidedly different and inventive things within its conventions. Alcest, Svalbard and Doodseskader all distinctly exist within our world, but all feel duty-bound to stretch and contort its conservative confines. The former act as headliner for this jaunt, and even though they last dropped anchor in this very room just over 12 months ago, this distinctly unconventional cavalcade draws a mighty impressive crowd for a Wednesday night this close to Christmas.
Read MoreOur perceptions of New Orleans is as the birth place of Jazz. That funeral scene from Live and Let Die looms large in our collective cultural iconography. But New Orleans has a musical underbelly, an “upside down” that is the ying to the more well-known yang. In the form of Eyehategod and Goatwhore it has cultivated two of the most iconic American extreme metal acts to emerge out of the desolate wastelands of the nineties. Both are still stridently underground and unfettered in regard to wide stream regard and appeal, but the staggering young demographic at play here tonight shows that they are both making great strides in a market that wasn’t even born when they both emerged.
Read MoreFuture Palace are riding high across Europe with the surge in popularity for genre-mashing female vocal-led modern pop metal bands. They’ve been touring hard for a long time now, and find their way to Manchester for only the second time and first headlining. It’s a cold, wet and nasty night, but that doesn’t stop the crowd from getting along to Rebellion for the sold-out show for not one but three up-and-coming German bands.
Read MoreOn a wet and windy Wednesday night, the unassuming Student’s Union bar at the Manchester 2 is flooded with devoted death metal fans embarking on a peculiar pilgrimage. Positioned in a dimly lit room tucked away up a staircase and around a forgotten corner; Dying Fetus lead the charge on this unruly bill, with Salt Lake City’s Chelsea Grin, deathcore collective Despised Icon, and opener Vitriol. Before the show, the PA system pulsates out strictly cheesy dance and disco, the bass reverberating, tantalising the crowd with what’s to come. The excitement is infectious; a legion of black shirts emblazoned with scrawled, hard-to-decipher names, the echoes of the genre’s underbelly, dancing to Darude’s ‘Sandstorm’, a fitting prelude to the chaos about to unfold.
Read MoreOn paper the billing for this evening’s show feels distinctly skew-whiff. Fit For An Autopsy are on a quite impressive upward trajectory. They have broken free from the confines and the preconceptions of Deathcore and have cemented themselves a berth in the one-to-watch category. Pairing them as a co-headliner with Sylosis on the face of it feels mismatched because, well Sylosis have been around forever without ever really making their mark. It's hard to imagine a British metal scene without Sylosis plugging away in its lower echelons trying to make a name for themselves. Don't get us wrong, we at ROCKFLESH Towers love Sylosis, it's just that we've never ever envisaged them as being of a Ritz headliner status. Add to all that the fact that the much-fancied media darlings Heriot are sat slap bang at the bottom of the bill and the whole structure feels a little, odd.
Read MoreSleep Token have continued to rocket higher and higher since that very first time I saw them as a secret act at Tech Fest 2018. Back then it was only their eighth live performance and I still didn't quite know what to make of them. Fast forward past plenty of support slots, headlines and festival appearances and we have them headlining an arena and poised to headline Download Festival in 2025. They have also now become one of my favorite bands, with a stunning live act and a collection of three albums that fully showcase their diversity.
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