It is quite rare for me to be faced with a review assignment that offers the Holy Grail, namely a band that I have yet to witness in a live environment. Harikari For The Sky have existed in some form or other since 2011 however they only really pricked our collective consciousness with their astonishing 2021 effort, “Mӕre”. The superlatives were tossed around like confetti, but since we were still deep in the non-touring days of the pandemic, they had little or no opportunity to get out on the road to cash in on the extraordinary level of newfound interest.
Read MoreAnother day, another genre of that great musical cauldron we call rock. This time I am exploring the world of country blues and an evening of Southern-tinged rock n’ roll awaits. Well kind of. I mean support band Kira Mac are from Manchester, which is distinctly Northern, and last time I looked there was little in the way of deltas in Belfast where The Answer hail from. But still, let’s set the atmosphere. You can almost smell the whisky burning down Oxford Road tonight…..
Read MoreI may take on assignments that take me all over metal’s glorious multi-verse of genres, but my home will always be the scuzzy outlier that is sleaze rock. Pretty Boy Floyd are an original 80s purveyor of the art form (despite there only being one original member left) and The Midnight Devils are upstart pretenders to the glam rock crown, so tonight I can breathe a sigh of relief and bask in the musical familiarity that surrounds me.
Read MoreI'm not sure whether it's the weather, this being the first weekend of the Christmas markets or the draw of the undercard; but Gorilla is absolutely heaving from the get-go. Reopen after a nine-month hiatus for urgent renovation work, there are people spilling out all every orifices of the venue from the moment the doors swing open. There is certainly anticipation in the air and it becomes very clear that this is not just for the headline act.
Read MoreWho would have thought back in the late 90s when Slipknot first oozed out of the primeval slime of rural Iowa, that one day their shouty vocalist in the ugly mask would become a living legend? Being honest, bar a couple of songs, I am not a big fan of the boiler-suited weirdos, however when a friend introduced me to a band called Stone Sour a few years later I was astonished. “THIS is the same singer?” I proclaimed.
Read MoreThe Nightmares are a band destined to open for a band like Creeper. They fit the bill in every possible way to compliment the mystique and expectation of what a night with Creeper should be like. They are a dark, Gothic synth heavy indie pop band which whilst being a mouthful is the only way I can possibly describe them.
Read MoreTonight I am in Rebellion to watch one of my favourite genres of music – bands from Sweden, Ok ok I know that’s not a genre, but the fact is that although bands from Sweden come in all kinds of musical varieties they all have one thing in common - they know how to entertain an audience. This evening’s bill is no exception, even if it is quite a big step away from my usual favourite Swedes with big hair and guyliner.
Read MoreWhen Bloodstock Svengali Vicki Hungerford decreed that Malevolence would be bestowed a coveted special guest slot at next year's festival, there were many of us who were sceptical about the leap of faith that she was taking. After all, it was only yesterday that the Sheffield upstarts were cavorting about at the lower echelons of the Sophie stage.
Read MoreThe singular support band tonight are ALLT, a hard hitting futuristic progressive metalcore band from Sweden. They take to the stage with backlit blue and white lights, and that backlit approach means for most of the set we’re simply left with silhouettes prowling the stage. ALLT are slick, professional and produce some impressive heavy modern metal. They soon get into their groove and take their set by the scruff of the neck, blending technical heaviness with anthemic yet gritty choruses.
Read MoreTo be referred to as ‘The Love Child of Janis Joplin and Robert Plan’ brings with it a weight of expectation that for some bands could be considered too heavy of a burden to bear. For The Damn Truth however, they don’t want to just meet this expectation, they want to blow it out of the water, doing so with their dreamy, crushing and at times emotionally jarring blend of hard rock & Blues.
Read MoreThis show was meant to mark the triumphant return of Mancunian institution Gorilla. Sadly, the British blight of "overrunning engineering works" means that at the 11th hour, it has had to be hastily moved down the road to the iconic FAC251. A cavernous labyrinth of dingy dance floors, it was the former home of Tony Wilson's groundbreaking Factory Records and also the site of a lot of ill-gotten raving by my good self during the '90s. The downstairs space that hosts tonight’s gig is a lot smaller than its intended home, meaning we get an intimate and exceedingly sweaty show. It also provides a rare opportunity to observe three of the most exciting bands on the UK scene in incredibly close quarters.
Read MoreIn my opinion, there is no genre of music that encapsulates pastiche more than that of the 21st century take on Classic Rock. The lack of innovation or desire for change and reliance on nostalgia and cliché leaves it feeling stagnant and ultimately uninspiring. Despite this, there is also an admirable and undoubtable demand for bands of this ilk from fans who want nothing more than to be transported back to a time when the humble guitar was king and simplicity was deemed innovative. Time waits for no one, and whilst the heroes of that bygone age may no longer be able to hold their own in 2023, the next generation of Classic Rock bands are here to pick up the mantle.
Read MoreSpite kick-off the evening and immediately set the scene for the heavy deathcore night ahead. Despite it being an early doors there’s a more than decent sized crowd here for the openers. We’re also not waiting long for a double-kick drum onslaught. They’re a heady mix of brutal hardcore and nu-metal melodies mixed with vicious tech-metal. The guitar tones are meaty, djenty and have that deliciously techy sound.
Read MoreDacara are a 4-piece that prove uneasy to pigeonhole. Their sound is kind of rock with a dance twist and just mereist lashing of goth for good measure. The singer has a good voice (if somewhat lacking in power) and that is complimented nicely by the guitarist’s shouty growl. Every now and again it skirts the edge of commercial euro-rock but then plunges back into the subterranean delights of the underground.
Read MoreWell, this is all very civilised. To celebrate their 40th anniversary of being a band, Europe have taken up residence in the ornate surroundings of the Lyric Theatre within the Lowry complex. Plush seats, a very un-rock & roll interval, and a two hours and 40-minute set, that's not bad for a band that most people would consider to be a one-hit-wonder. I would consider myself rather a Europe devotee, having fallen in love with the band in 1988 when my Scandinavian grandmother inexplicably bought me a copy of “Out of this World”.
Read MoreIt’s an early start and we’re treated to Liverpool's Cut Short. The first thing that strikes you is the satisfyingly angular, stabby, quality of the guitars. They play with melodies that are layered over a backdrop of excellent almost scattery jazz-infused drums. It makes me think they’re trying to strike a delicate balance between the prog and tech-metal, but still need to hit on the perfect mix. The intricate guitar work fully supports this ambitious attempt, and their musicianship is solid and individual performances truly engaging.
Read MoreOutpost tonight is a very different Outpost to last week. It’s rammed for a start, and as far as you can see (which isn’t far, it’s only a small venue) there is a sea of battle jackets, studs and hair. The other week I witnessed some of the old guard that are keeping traditional British heavy metal alive, and tonight I’ve come along to see what the new blood has to offer.
Read MoreThe evolution and onward development of our music is such that it has diversified to an extent that there are portions of it that whilst still operating within its confines, sound nothing like its governing parameters. Tonight’s opening acts are cases in point. Both live within the envelope of extreme/heavy music, feature within the publications that ally to that world, play the festivals and events that serve that world, and support (as it is tonight) bands that firmly sit within that world. However, neither Slow Crush nor GGGOLDD dwell within any definable definition of metal.
Read MoreGiven I’d never heard of L.A. Edwards until April 2022, this is the third time seeing them play Manchester since then. Previously it has been with The White Buffalo at the O2 Ritz so tonight we are changing it up a bit. This show is sold out and when I arrive the place is quite empty but gradually fills up as they work their way through their 9 song setlist. The crowd are a mix of ages but definitely, and no real surprise, skewed more male than female and mostly middle aged (or should I say my age as another march around the sun looms), but treating themselves to this night of rock n’ roll.
Read MoreManchester has become a veritable post-metal paradise. Alongside its own burgeoning scene, we’ve got Alcest tonight, Cult of Luna passing through on Thursday and Damnation festival taking up residency in under three weeks, bringing with them Nordic Giants, Maybeshewill, and the emotionally wrought juggernaut that is Amenra (if you haven't done so, get your tickets now). However, if I'm honest I will be struggling to find 45 minutes more scintillating and mind-blowing than the ones I get to spend with tonight's opening act, The Devils Trade.
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