Well, it's all happening this evening at the student’s union. In the main Academy, the regions punk pensioners are on day release from their respective nursing homes in order to witness the umpteenth miraculous resurrection of Stiff Little Fingers. Upstairs in the pokey Academy Three, Indie upstarts The Rolling People are repackaging Britpop for the next generation and downstairs in the club Academy…. Well to be honest I'm not sure what the fuck is happening downstairs, but it has attracted a gaggle of younglings young enough to be my grandkids, in various states of undress and off their tits on Ketamine. It's a rare beast when the metal crowd is the normal bunch, but those of us winding our way up to the old debating hall for a Haken and Between the Buried and Me double-header seem positively conservative in our attire compared to some of the revellers cavorting around the building.
Read MoreI’m not sure how or why this keeps happening but here I am again. ROCKFLESH’s glam queen is dipping another toe into the world of metalcore – grammy nominated metalcore no less tonight! Three bands with a similar sound but quite a different approach to it tonight, should be interesting.
First up, much to my surprise (and a little disappointment) were Finland’s Blind Channel, Eurovision hopefuls and boyband on steroids. They have all the energy and bounce of a basket of wriggly puppies, and I love the dual vocals that meld both harmonies and growling.
Read MoreIt’s not often that you get to see two amazing bands doing a free meet and greet before and after a show. This unique combination of down to earth humbleness and sophisticated musicianship is precisely what we got at Eleven.
Absolva were the first group to hit the stage and they have a fascinating sound to them. NWOBHM (New Wave of British Heavy Metal) brought back to life but modernised in a way that you can still hear its roots without it being spoiled.
Read MoreWe open proceedings tonight with The Razor, a competent local covers band who rip through some rock classics and warm the place up nicely.
Next up are a group no doubt inspired by tonight’s headliner. Blue Ruin are a female quartet who play up-tempo, bouncy pop punk. They introduce themselves and as 2 of them are from New Zealand, one from Italy and one from Bristol I can’t help wondering how the hell they rehearse? Anyhow that’s bye-the-bye.
Read MoreIt transpires that the Great British Classic Rock revival has found a fresh stream of inspiration to draw from. The dense 70’s blues rock of Free and vintage Quo, has been abandoned in favour of pillaging the fertile vineyards of eighties hair metal. For South of Salem, it provides a veritable smorgasbord of stimulation and they are meticulous in their level of imitation. Their second track in is so shrouded in familiarity, that if you close your eyes, its’s 1982, you’re in the whiskey a go-go and Mötley Crüe are treading the boards in their moment of ascendancy.
Read MoreAs I walk through the doors of The Continental on this damp March night, it strikes me what a gamble it can be catching the 21st century version of a band you’ve followed and liked for decades. Best case scenario, they play a blinding set and confirm your long-time faith in them; on the flip side if they don’t, you can tarnish a life time of memories. Which of those would come to pass tonight remained to be seen, but before Tygers of Pan Tang showed if they were still worth the price of admission were openers The Loose Cut.
Read MoreOpening tonight are New Jersey’s Sentinels, who take to the stage with a bang, the energy in the room equally immediately electric. Sentinels are simply awesome tonight. Their music off the scale, with drumming and guitars that are so technically stunning, it is hard for some of the crowd to keep up. It’s brutal, experimental, extreme and chaotic – like a sped-up Gojira on steroids, with that added touch of higher tempo and intricacy making it even more enjoyable and intense.
Read MoreIt's very easy to lose a sense of perspective when you get the opportunity to review shows in arenas, theatres, and cavernous academies. But it takes evenings like tonight to remind you that minuscule basement venues like retro here in Manchester is where rock 'n' roll came from and, for the majority of the North-West scene, continues to dwell. Peter from The Black Spiders continually describes the confined surroundings as being someone’s living room, and he is not half wrong.
Read MoreJust as people were arriving, New England grindcore/hardcore punk band Escuela Grind took to the stage and immediately gave the audience a flavour of what the evening was to be. It was loud and fast with clean and tight blast beats as well as a nice guitar tone with lots of bite. They had relentless energy and from the first song, a decent sized pit was forming with singer Katerina jumping and bouncing around the stage like a hyperactive kid who had drank a ton of energy drinks
Read MoreThree years. It was three blooming years ago that this show was meant to happen. It is so long ago that both main acts are on different album cycles to the one that the show was originally meant to be part of, and the undercard has changed at least four times since it was originally announced. There has been so much to-ing and fro-ing at the bottom end of the bill that there seems to be a general sense of bewilderment as the masses wander to be greeted by the frat party thrash of Municipal Waste.
Read MoreHeavy Metal & Widnes are two things that are seldom seen together in a sentence; however, Saturday Night at The Snig in West Bank offered those yearning a chance to see some Heavy Metal on their front doors a chance to see 4 of the finest up and coming bands the North West has to offer.
Read MoreAtreyu start the evening with a total contradiction in terms, some clean melodic metalcore. Even so this is pretty outside my musical comfort zone and despite the band having been around for 25 years I am unfamiliar with their style & output. I miss the first song due to traffic so walk in during ‘Save Us’, which is a brutal slice of hardcore rock but with a catchy chorus. I also have some beard envy when I see the bass player!
Read MoreFirst up are the rap metal band Oxymorrons. Their mix of influences is impressive, and with their energetic and funky grooves they soon have everyone nodding along. They’ll appeal to fans of Fever333 and Skindred for sure, but they're also not afraid to break out some Turnstile type tunes too. One of the things that really impressees me about Oxymorrons is their ability to switch things up and keep the audience engaged.
Read MoreDue to circumstances beyond my control, I miss most of Cemetery Sun. They are a four-piece band from Sacramento, and from the queue outside the Academy, they sound OK. There’s melody, a decent beat, and they’re not too shouty. I make it in just in time to catch the last song and find them doing some typical noughties rap-metal, very obviously inspired by Linkin Park and their ilk. It’s bouncy and the crowd are enjoying it and bouncing with them so I’m sad that I saw so little of it. Hopefully, I will catch them again at some point.
Read MoreYou do have to feel sorry for Gus G. He is one of the world's most sought-after guitarists (a modern-dayYngwie Malmsteen). For the last twenty-five years, with his main outfit Firewind, he has been a stalwart in keeping power metal's ornate flag flying. Yet here he is (with Firewind) supporting in a subterranean club that is probably smaller in size than his front room. The indignity is probably made even more pertinent by the fact that tonight's headline act, Beast in Black, have been in existence for a mere fraction of the time that Firewind have been hauling themselves across the globe. However, if Mr G does feel any level of petulance about the introverted nature of tonight’s billing, he certainly doesn't show it.
Read MoreOpening for the night, Manchester’s own Dacara take to the stage with their brand of pop metal infused with themes from anime, videogames, and popular culture. This young band needs our support, and they certainly prove they deserve it with their energetic set. The songs touch on serious topics like calling out liars and those stuck in denial, but equally with fun tracks about weebs, sell-outs, and psychopathic anime girls. Fans of early Sertraline, Lake Malice and Within Destruction will enjoy their mix of bouncy and fun pop metal, which is reminiscent of a more rocky Future Palace.
Read MoreThis is only my second time here at O2 Victoria Warehouse and I arrive just as UK heavy metal act Employed to Serve begin their set. This five-piece were formed in 2011 and with five studio albums under their belt, supporting the mighty Gojira on this tour must be a dream come true. They are noisy, angry and in your face, so they complement the rest of tonight’s line-up.
Read MoreMastiff bill themselves as being “A Miserable Band From A Miserable Town” which makes sense being from Hull (I’ve seen Hull beat Widnes way too many times in the Rugby, so let me have this one lads, it’s only fair). Rugby League rivalries aside, Mastiff are a fantastic blend of Sludge and Hardcore, a combination that may seem out of place on this night, a celebration of everything grandiose & theatrical given the headliners.
Read MoreIn a world of nonconformity, Dream Theater are strident nonconformists. For nearly 40 years they have defiantly bucked the trends and ignored metal's prevailing winds. They have managed to operate in their own cryogenically sealed bubble, immune from passing fashions or fads. They initially emerged at a point in time when everything had gone short and spiky (song length, hair length, and stature of lead singers) and they defiantly ploughed their own field. Resolutely un-vogue from conception, they have built a fevered fan base through word of mouth, hard work, and by never wavering from their steadfast belief that more is definitely more.
Read MoreEveryone and their dog will be aware of Phil Campbell at this point. Joining a new look Motörhead in 1984, Campbell was a mainstay of the band until they disbanded after Lemmy Kilmeisters unfortunate passing in 2015. These days the Welsh guitarist can instead be found playing alongside the Bastard Sons. In case anyone was unaware of who they were, opening song ‘We Are the Bastards’ made sure that anyone yet unaware would quickly learn the name and what they were about.
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