And just like that it is Sunday and the big yellow ball of heat in the sky is doing its best job to burn us all to buggery. It's 2022 all over again, including those joyful yelps from the crowd when any cloud cover is forthcoming. Needless to say everything is all a little more laid back today as a collective lethargy emerges from the heat.
Read MoreIt's raining. Not much rain, but it's still raining. Cauldron kick things off in the Sophie stage. Those who hope the name conjures up sword and sorcery inspired power metal will be bitterly disappointed. This is classic early-era metal core with an emphasis firmly on the core. Hailing from Birmingham they have gone for the nostalgia vote hard.
Read MoreIn years to come, 2024 will be known as the year Bloodstock came of age. It's previously spacious set up for the first time ever feels consistently busy. The step up to a stable and constant 20,000 capacity feels very obvious in the sheer amount of people around the place at any given point, but it is still dealt with with Bloodstock’s usual level of finesse and honesty. This was the year that Bloodstock no longer felt like a small concern.
Read MoreRADAR Festival 2024 at the O2 Victoria Warehouse is a vibrant and diverse showcase of progressive and alternative metal/rock acts, featuring both established names and rising stars in the genre. The festival not only covers progressive/technical metal and rock though, it also pushes those boundaries and often breaks them with genre-spanning and unexpected acts that positively challenge the way we look at music and performance.
Read MoreRADAR Festival 2024 at the O2 Victoria Warehouse is a vibrant and diverse showcase of progressive and alternative metal/rock acts, featuring both established names and rising stars in the genre. The festival not only covers progressive/technical metal and rock though, it also pushes those boundaries and often breaks them with genre-spanning and unexpected acts that positively challenge the way we look at music and performance. Much like we saw with Tech-Fest UK, at the heart of RADAR is that sense of building a genuine community.
Read MoreRADAR Festival 2024 at the O2 Victoria Warehouse is a vibrant and diverse showcase of progressive and alternative metal/rock acts, featuring both established names and rising stars in the genre. The festival not only covers progressive/technical metal and rock though, it also pushes those boundaries and often breaks them with genre-spanning and unexpected acts that positively challenge the way we look at music and performance. Much like we saw with Tech-Fest UK, at the heart of RADAR is that sense of building a genuine community.
Read MoreDamnation 2023 is immaculately curated. This is not random bands thrown into some form of inconsistent order. Real thought and consideration has actually gone into who follows who. The entire day works as some sort of cathartic emotional journey, taking you from spiritual highs to desolate lows.
Directly following the astonishing Julie Christmas with Downfall of Gaia is a genius move. Whilst there are real differences between the acts, they share a common DNA strand of emotional resonance. It seems weird to pin this on black metal, but Downfall of Gaia is music to make you cry.
Read MoreWe all love to moan. We are British. Finding fault in everything is our national sport. However the truth is, no matter how hard you look, there is very little, if anything, to criticise about this year’s Damnation Festival (The puddle at the end of the drive may well have been a pain but it was clearly outside of Gav and Paul’s jurisdiction). The snag list from last year's inaugural edition at the BEC arena has been conclusively dealt with. There is not a food queue to be seen, chairs are plentiful, and I am still supping the specially commissioned stout well into Saturday night.
Read MoreThere is a wonderful sweet spot about the Saturday morning of a festival. You have been there enough time to bed in and become familiar with the surroundings, but it is all yet to become a slog. Also, there is the delicious realization that you still have two days to go. Ambrius have the honour of kicking off proceedings on the Sophie stage and prove to be an interesting and enticing mix of power and progressive metals.
Read MoreAnd before we know it, we are straight into the first full day of festivities. The sun is up and blazing away though the plentiful cloud cover, this means it never becomes as inhospitable as last year. Bloodstock has always been about early starts and Lancastrian death metallers’ Bloodyard have pulled the short straw and are first out of the traps at the ungodly hour of 10:30 am.
Read MoreThe final morning of the festival sees us welcomed by local favourites Where Oceans Burn. The band is growing from strength to strength and there are elements of grunge, tech-metal, and groove metal throughout.
Read MoreRADAR Festival is only in its third year, but already it’s attracting some massive names in the prog/tech scene. It’s also changed location this year from Guildford to Manchester, and a nightclub to a full-blown venue in O2 Victoria Warehouse. Eager and excited, we get our passes and make our way down to the press area. We eventually find it down in the basement of the adjacent building, and are immediately greeted by some familiar faces.
Read MoreIt’s the final morning of the festival but we’re still ready for even more tech-metal. We’ve plenty of press logistics to work through this morning, but we make sure we don’t miss one of the bands we’ve been most eagerly awaiting, Karmanjakah. Having chatted and watched this young Swedish band at Sweden Rock (here) earlier this year, we knew what a special and perfect-for-Tech-Fest set they would produce.
Read MoreDespite everyone going hard on the Friday, there’s no lack of appetite for more tech-metal…and more drinking. We make our way to two interviews with Vexed (Here) and Harbinger (Here), before making our way to the stages to be met by the energetic Monasteries. They continue to offer us their unique take on experimental deathcore, which is deliciously vicious and ferocious.
Read MoreWe wake up early, roll out of the tents and make our way to the press area to grab a coffee and prepare for a full day of live bands and interviews. We start the day with Cavekiller, complete with Hawaiian shirts, and Glower offering us some hardcore tinged metal.
Read MoreWe’ve said it before and we’ll say it again - UK Tech-Fest is more than a festival, it’s a family and a community. That feel of returning to a place you know and people you care for when you pass through the entrance and pop your wristband on. It’s always been welcoming, inclusive, passionate and dedicated to its punters. Those who hold it dear often say the festival community has changed their lives, and it’s no understatement for many. It’s a celebratory yet sad edition this year though. Whilst we celebrate the 10th anniversary of the festival, it’s also been announced as the last UK Tech-Fest in this iteration.
Read MoreSo, this is it. Damnation Festivals’ grand step up into the big league. And if you are going to move home then do it in style. Whilst we were in the end sixty-six sales shy of the blazing “sold out as fuck” sign, shifting 5,934 tickets (double the capacity for even the busiest previous Damnation) is phenomenal. And then there is the bill. A smorgasbord of special sets, UK exclusives, and representatives from every corner of the extreme metal world. The fact that the absence of billed headliner Ministry was a complete non-event, is kudos to the strength of the bill as a whole. In many ways (in terms of performance, crowd size and participation, and general buzz in the room) it felt distinctly like Pig Destroyer were headlining and everything else was building up to and away from them. But more about that later.
Read MoreNight of Salvation provides Damnation festival with an intimate opportunity to road-test its new home at the Bec Arena in deepest and darkest Trafford. Tonight, manages to be simultaneously low-key and auspicious. Low-key in the fact that there are only around 300 of us on site, but auspicious in terms of the quality and the prestige of the bill that they have managed to pull together. The closing two sets (Celeste’s performance of “Assassin(s)” and We Lost the Sea doing “Departure Songs” as their UK debut) are both world exclusives and according to both sets of artists unlikely to be repeated anytime soon.
Read MoreWell, that's went blooming quick. No sooner has it all started than the final day is upon us. But it is all good. The sun is still shining, there are still some alcoholic beverages available to purchase (it's cider but any port in a storm) and we have a brace of bands to watch. The first port of call is Bristolian symphonic metallers Control The Storm. Given the price of fuel these days they must have blown their appearance fee in the first track as there is an awful lot of pyro present.
Read MoreIt's Saturday morning, the sun is shining and the shuttle buses are shuttling. In fact, I have got very little to moan about, so let's go straight into the bands. Our day starts with Californian natives Dirty Honey who are playing their first show on the shores. Their retro-fuelled sound brings to mind The Black Crowes’ electrifying opening set on these very grounds thirty-one years ago. They share the ability to feel simultaneously authentic but also thoroughly modern. They have taken a much-trodden route and made it very much their own.
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