20. Anaal Nathrakh - 'Endarkenment'

Slowly but surely over twenty-one years and eleven records Anaal Nathrakh have become a very British institution, I would go as far as say a national treasure (well at least for those who like their Metal on the extreme side). They have become dependable, in a thoroughly good way. You know they will be explosive live, each and every time, and you know they will make albums that sound like nobody else.

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14. Paradise Lost - 'Obsidian'

Like My Dying Bride earlier, Paradise Lost have managed to be incredibly influential without ever truly breaking into the mainstream psyche. Over thirty-two years their sound has morphed and evolved. The melancholic doom of their initial few records soon blended into the stadium goth of the incredible “Draconian Times”, which then shifted into an electro synthpop phase (loved on the continent, hated over here).

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12. Wayfarer - 'A Romance with Violence'

As I have stated earlier, the Americans take on Black Metal tends to be very different to their European counterparts. They have kept the power and sense of foreboding, but have got rid of the satanism and most of the imagery. If you glance at photos of Wayfarer, they look like extras from a spaghetti western, as opposed to leather and stud clad Black Metal warriors. This is because this is Black Metal reimagined as an epic John Houston western.

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09. Jim Bob - 'Pop Up Jim Bob'

Yes, Metal is my business and business is good. But nestled alongside Carcass, Emperor and At the Gates in the list of my five favourite bands of all time is Carter the Unstoppable Sex Machine. Even during their brush with fifteen minutes of fame back in the nineties (they rugby tackled Phillip Schofield at a Smash Hits poll winners party) Carter were never fashionable or hip.

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08. Sólstafir - 'Endless Twilight of Codependent Love'

Placing Sólstafir albums in order is like watching a stop motion documentary of the evolution of their career. Each record is sonically connected to the last, but also each record sees them take stylistic leaps into the unknown. “Endless Twilight of Codependent Love” is their most insular and self-contained record.

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02. Creeper - 'Sex, Death & The Infinite Void'

This is what a Jim Steinman produced Scott Walker album would have sounded like. “Sex, Death & the Infinite Void” is quite simply rock opera repurposed for the 21st century. Creeper have created the greatest teen lust melodrama ever made, offering a John Walters inspired narrative and the varied evocative soundtrack to go with it.

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01. Crippled Black Phoenix - 'Ellengæst'

Crippled Black Phoenix are virtuosi multi-instrumentalist Justin Greaves and an ever-revolving cast of contributors. Justin specialises in what he calls "endtime” ballads”, a poignant mix of the melodic and the macabre. Everything that Crippled Black Phoenix have done over the last sixteen years seems to lead up to this record.

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