The terms seminal and genre defining are probably thrown around too much these days but the work of Godflesh, and in particular debut album ‘Streetcleaner’, deserves those accolades and more. It’s therefore almost unbelievable to experience the band performing the album in full after all these years. The anticipation prior to opener ‘Like Rats’ is palpable and, once some feedback and sound difficulties are overcome, it’s a joyous ride through what is a very important set of tracks from the late 80’s that has undoubtedly shaped the very fabric of industrial metal ever since.
Read MoreSo this new stair-free incarnation of Damnation festival means that with a good wind, a willing bladder and a packed lunch you can actually plan on seeing 17 bands back to back. But for those of you more discerning folk who are still trying to work in merchandise shopping and beer perusing, we at ROCKFLESH are proud to present our five must see sets of the weekend. Based entirely on the subjective views of our black/death metal correspondent Stewart, these are the acts that he will personally get very grumpy if you dare not grace them with your presence (yes we know that he has not included Converge doing “Jane Doe”, yes we know that is not on and yes we will supply you with this email address).
Read MoreMost reviews you will read of this year’s Download Festival will be from journalists who stayed in off-site hotels and who spent a predominate amount of their time on site in the distinctly less muddy press aware. ROCKFLESH is a site of the people, by the fans for the fans, so therefore no such luxury for us. We humped our gear from the sodden swamps of West car park with the rest of you, we spent hours trying to fit three sizable tents into a piece of grass no bigger than a postage site as you all did, we cursed the fact that we seemed to be camped directly at the end of the runaway as everyone else did and we yomped through the mudapocoalaypse brown quokemire that the Village had become with the everyone else.
Read MoreIt is frankly impossible for me to write objectively about At The Gates, so I am not going to try. They are my Iron Maiden, my Metallica, My Slipknot in that they have shaped everything I love and cherish about this musical genre. 1995's “Slaughter of the Soul” is perfect in every single facet. It is direct, venomous and drips with righteous anger. It is also a masterclass in extreme songwriting as every track is defined, melodic and devoid of any padding.
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