Atreyu - 'Baptize'

Metalcore pioneers Atreyu’s first post Alex Varkatzas record sees them venture even further from their roots and even closer to Nickelback territory. This is a slick soulless arena rock album and dispenses with any of the charm or originality that they once had. A sorry state for such an influential band.

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Landmvrks - 'Lost In The Waves'

This is meant to sound ethereal and brooding. It is meant to stretch the definitions and confides of metalcore. It ends up feeling diluted and dull. It doesn’t seems to have the conviction to make the obvious genre splicing work and in the end feels messy and directionless.

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Nytt Lands - 'Ritual'

There is a viking folk bandwagon riding through town and Nytt Lands are making a stirling effort to jump on it. This feels cold and it feels calculated. It brings nothing new to the stark nordic ambient world and feels like a cynical cash in.

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Ronnie Atkins - 'One Shot'

Prior to Volbeat, Pretty Maids were Denmark’s biggest heavy rock export. Ronnie Atkins is their frontman and this is his first ever solo record. Recorded in-between his ongoing treatment for stage four Cancer, it is meant to be his opportunity to produce an album that captures his exuberant personality. Not wanting to kick a man whilst he is down but this nothing more than a run of the mill rock album. It has nothing at all that makes it stand out from the crowd.

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Mouth of War - 'Life Cast in Glass'

You need to be bringing the goods if you are going to name yourself after perhaps Pantera’s greatest moment. This is a shouty record that lacks any sort of definition or uniqueness. It goes through it motions without really understanding that to combine punk and Metal you need to do far more than just play a bit of punk and then a bit of Metal. For such an energetic record it is remarkably dull.

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St Vincent - 'Daddy's Home'

Earlier I accused Garbage of making awful St. Vincent albums. Never one to shun the limelight here is St. Vincent herself with an awful St. Vincent record. The last couple of albums were nothing short of ground-breaking. Sexy and sassy, but very much on her terms. This is as about as sensual as a pencil. It is trying to be her “serious” “issue” record and in doing so it removes all the things that made her unique. We are left with stripped back tracks that feel devoid of passion or piazza.

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Bad Wolves - 'Dear Monsters'

Bad Wolves take a break from the ongoing soap opera that is their relationship with their former frontman Tommy Vext, to release a new record. They needn’t have bothered as this is a sub-standard rock album that offers nothing new at all. It sounds exactly like their previous records (even if Tommy is not around anymore) which in turn were poor facsimiles of Five Finger Death Punch records. Pointless.

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