Tonight is the first gig for Johann and I in Manchester’s New Century Hall. The first thing we notice is the slick and swanky feel to the whole place – it’s like it’s fresh out of the showroom and we’re taking it for its first spin! The bars are easy to get to, with a good selection, and the whole atmosphere is professional yet welcoming. The gig room itself is wide and accommodating, and the stage a very decent height (so a good venue for all gig-goers I’d suggest).

First up tonight are Love Is Noise, who immediately impress with their neo-noir influenced post-hardcore laced with modern shoegaze elements. Their ability to seamlessly blend great vocals, both clean and harsh, creates a dynamic and powerful atmosphere reminiscent of bands like Loathe. The sporadic use of harsh vocals adds an impactful touch, keeping you on the edge of your seat. Drawing inspiration from the atmospheric qualities of Deftones and the nostalgic vibes of The Cure, Love Is Noise take their post-hardcore sound to new heights. 

The guitars exude a dreamy and atmospheric aura, while simultaneously channelling the raw energy of post grunge. It's a combination that grabs your attention and refuses to let go. These guys have mastered the art of creating an immersive sonic experience that transports you to another dimension. Despite being a three-piece outfit, they generate a rich and expansive sound that defies expectations. With drums providing a solid foundation and a laptop adding bass and electronic elements, they create a full-bodied sonic landscape that fills the venue with pulsating beats and captivating textures. If you get the opportunity to catch Love Is Noise live, don't miss out. They are a band on the rise, and their talent and dedication to their craft are truly impressive.

Main support are Acres, who take to the stage with swagger and eagerness. However, as they try to launch into their opening track, an unexpected glitch occurs - the sound system is clipping and cutting out randomly, requiring the band to briefly retreat backstage as the venue rectifies the situation. They soon re-emerge, ready to unleash a sonic tsunami, combining the sounds of bands like Led by Lanterns and You Me At Six, but with an infusion of harsh vocals adding an extra layer of intensity. The result is an explosive and captivating performance, and fans of The Amity Affliction should check these guys out immediately.

Frontman Ben Lumber commands the stage with his engaging and energetic presence, showcasing an emotive voice that cuts through the air like a razor-sharp blade. His vocal range effortlessly traverses heart-wrenching clean melodies and guttural screams, leaving no doubt about the depth of emotion behind each word he sings. The rest of the band seamlessly intertwines their instruments, creating a sonic tapestry. The driving guitar riffs provide a melodic foundation, while the tight and thunderous bass and drumming propels the music forward with unrelenting energy. 

Throughout the set, Acres flawlessly transitions between moments of introspection and explosive eruptions of sound. The combination of delicate harmonies and unbridled aggression allows the band to explore the full spectrum of their musical prowess, leaving no stone unturned. They leave us breathless, having overcome the initial technical setbacks with unwavering determination, proving that they are more than capable of delivering a memorable performance that lingers in the hearts and minds of the crowd.

Tonight's review then takes a somewhat peculiar twist with enigmatic headliners Dayseeker. Known for their unique blend of musical styles, this evening's performance promises a captivating display of talent and emotion. However, as we delve into the depths of their set, I notice that the crowd seems disconnected from the magic unfolding on stage. There was a strange atmosphere earlier, but I put that down to it being support bands rather than the headliners playing. But the crowd are still pretty much standing still, almost motionless, as if locked in a trance. The lack of energy and enthusiasm begs the question: Are they truly engaged? Do they find Dayseeker's music captivating? Or are they simply too cool for school, concealing their appreciation beneath a façade of indifference? We may never know.

But back to the band - drawing comparisons with Siamese, another band known for their eclectic poppy-tech-metal sound, Dayseeker offers a distinctive musical tapestry, albeit one that seems to be missing a vital element. The performance feels too smooth, lacking the infectious catchiness that embeds a song in your mind long after the concert ends. While their technical proficiency remains commendable, the tunes fail to leave a lasting impact, lacking that extra sparkle that sets them apart. Each song seamlessly blends into the next, leading to an unfortunate repetition that leaves one yearning for more diversity and surprises. Having said that, they are exceptionally professional and slick, with great sound and balance that allows their easy listening pop-metal to be accessible and flawless throughout.

While Dayseeker undoubtedly possesses talent and potential, it feels a bit like this performance falls short of the mark. Whether it be due to the peculiar crowd, the absence of memorable songs, or…just something about the whole package that doesn’t excite me. I’ll be sure to catch them again though, as I get the feeling there’s more to them than I saw tonight.

Check the “In The Flesh” page for more photos!
Dayseeker, Acres, Love Is noise